In The Ending Of Harry Potter And The Prisoner Of Azkaban Harry Learns More About His Connection With His Dad
Harry is excited to see his father in his second swing through time, convinced that it was James who saved Harry and Sirius from the Dementors. Eventually, he realizes he was the one who cast the Patronus charm: He saved himself.
At first, Harry is disappointed to not meet his father. But there’s something sweet about the connection Harry didn’t even know he shared with his dad, Prongs. Both have a stag as their Patronus, with James even being able to change into one as an Animagus. Harry’s mother, Lily, has the Patronus of a doe. This symbolizes how the two belong together. It’s also symbolic that the whole Potter family has prey animals as their Patroni. They aren’t violent people, rather they are thrust into violent circumstances by the world. Many of Harry Potter‘s themes concern Harry’s true nature and whether, among other qualities, Harry’s scar brings him closer to Voldemort in ways that signify deep, possibly dangerous similarities. In the ending of Harry Potter and the Prisoner of Azkaban, Harry’s Patronus underscores his ultimately gentle nature.
Harry Potter And The Prisoner Of Azkaban: The Movie
Factmonster Staff Harry Potter and the Prisoner of Azkaban* Visit our Harry Potter Page for more news! *This article was posted on August 8, 2003.Harry Potter and the Order of the PhoenixNewsweekHarry Potter and the Prisoner of AzkabanThe Sorcerer’s StoneThe Chamber of SecretsChris ColumbusAzkabanY Tu Mama TambienA Little Princess
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Why Did Chris Columbus Not Direct Harry Potter & The Prisoner Of Azkaban
Chris Columbus’ decision not to direct Harry Potter and the Prisoner Of Azkaban was down to a lot of factors, with one of them being Columbus’ health condition at that time. In a meeting with The Hollywood Reporter, Columbus revealed the huge weariness he encountered after “ridiculously long” shooting plans for The Sorcerer’s Stone and The Chamber of Secrets was the main factor why he left the team.
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Harry Potter And The Deathly Hallows: Part 1
The Harry Potter and the Deathly Hallows: Part 1 can arguably be blamed for Twilight Breaking Dawn: Part 1 . Many would argue that the adaptation of the final Harry Potter book did need to be split into two movies. I agree, but its downbeat tone can be heavy, plus it mostly spends time setting up the second part. It’s a bit of a marathon to commit to, peppered with awful, tragic deaths.
— Jennifer Bisset
Aunt Marge’s Big Mistake
- In the book, at the dinner party, Aunt Marge allows Ripper to drink tea off a saucer. In the film, she allows him a drink of brandy from her glass.
- In the book, Aunt Marge stays for a week before she gets blown up. In the film, Aunt Marge blows up the same day she visits.
- In the book, Harry sat at the table with Aunt Marge and the Dursleys, but in the film, he is just busy at the kitchen counter serving the Dursleys and Aunt Marge.
- Also in the book, Marge only floats up to the ceiling, while in the film she uncontrollably floats out of the house, later to be found circling a chimney in Sheffield as Harry is leaving. The same scene also has a humorous segment where Vernon tries to save Marge and cling to her to get her back down, only to end up bitten in the leg by Ripper, causing Marge to demand that Vernon not release his grip on her, only for Vernon to reluctantly do so due to being unable to hang on for much longer thanks to Ripper, apologising just before doing so.
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Harry Potter And The Prisoner Of Azkaban Establishes The Rules Of Time Travel In The Wizarding World
After passing out, Harry wakes up in the Hospital Wing to the news that Sirius is about to receive the Dementor’s Kiss that is, have his soul sucked out. Unpleasant. Luckily, viewers find out Hermione has been bending the rules of space and time all year to attend extra classes. Hermione has a Time-Turner, which she can use to go back to before Buckbeak was executed, before Lupin transformed, and before the Dementors attacked Harry. For this last part of the film, we see the events of the day from a new perspective. Hiding from their past selves, Harry and Hermione free Buckbeak and rescue Sirius. It’s all very Back to the Future Part 2.
This part of Harry Potter and the Prisoner of Azkaban frames the rules of time travel within the Harry Potter universe. It would appear that Harry Potter’s time travel is a closed-loop, per Vulture. You can’t change what’s happened in the past because you already saw the effect of what you did in the past. In the gang’s first encounter with Buckbeak’s execution, we only hear the axe make contact with something. In the second go-round, we learn that it was the executioner plunging his axe into a tree stump, frustrated that he didn’t get to kill something. And the stag that saved Harry and Sirius from the Dementors? It was Harry’s Patronus.
The Marauders Are Reunited At The End Of Prisoner Of Azkaban
As the action ramps up toward the ending of Harry Potter and the Prisoner of Azkaban, Scabbers reappears just in time for the Golden Trio to seemingly witness Buckbeak’s execution. But then Scabbers escapes from Ron and hightails it for the Whomping Willow. Chasing Scabbers, the three find that the tree contains a secret passage to the Shrieking Shack, and, once there, they are confronted by Sirius Black. He turns out to be the dog that’s been portending doom this whole time. Sirius is an unlicensed Animagus, and he’s also apparently BFFs with Lupin. The Defense Against the Dark Arts prof finds the gang in the Shack and embraces Sirius as a long-lost chum. After a confusing 30 seconds or so for the three kids, the adults explain that Sirius was framed for the crimes against Harry’s family. The person who actually snitched to Voldermort was Peter Pettigrew, aka unlicensed Animagus Wormtail, aka Scabbers the rat.
The kids learn that Lupin, Sirius, Peter, and Harry’s dad James were all besties in school. When Lupin was attacked and turned into a werewolf as a teen, the other three became Animagi so that they could keep him company during his time of the month. The gang gave themselves nicknames based on what they transformed into: Moony Wormtail , Padfoot , and Prongs .
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The Prisoner Of Azkaban Scene That Harry Potter Fans Think Was Horribly Acted
The “Harry Potter” movies are nothing short of iconic in pop culture. Needless to say, many fans of the books and the movies grew up alongside the cast as they played the iconic characters of Harry Potter , Ron Weasley , Hermione Granger , Neville Longbottom , Ginny Weasley , Draco Malfoy , Luna Lovegood , and many other young Hogwarts students in the ten-year series. For many of the actors, including the golden trio, the “Harry Potter” movies served as one of their first acting roles ever.
2004’s “Harry Potter and the Prisoner of Azkaban, directed by Alfonso Cuarón, saw a change in the tone of the series compared to the lighter, more family-oriented “Harry Potter and the Sorcerer’s Stone” and “Harry Potter and the Chamber of Secrets,” directed by Chris Columbus, and required a bit more from the young actors. And although they were more experienced by this point, with two movies already under their belt, some fans feel there was still some progress to be made with their acting.
He Wants To Make A Harry Potter And The Cursed Child Film
After his Harry Potter films, Chris went on to helm Rent, Percy Jackson & the Olympians: The Lightning Thief, Pixels, and other films. But hes eager to return to the world of Harry Potter with a film adaptation of the stage production Harry Potter and the Cursed Child, with Daniel Radcliffe, Rupert Grint, and Emma Watson reprising their roles from the original films. A version of Cursed Child with Dan, Rupert, and Emma at the right age, its cinematic bliss, he said.
Chris went on: If youre a film nerd or cinephile, its kind of like what J.J. did with Star Wars. Star Wars really started to be great again when J.J. made the and we had all the original cast back. It was very moving. I think that would be the same situation for Harry Potter fans. To be able to actually see these adult actors now back in these roles? Oh, yeah. It would be amazingly fun to make that film or two films.
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Harry Potter And The Goblet Of Fire
Goblet of Fire has a bit of everything. It has sports, communal bathing, ballroom dance and even Sir Michael Gambon transforming a calm, curious line into a roaring interrogation. The film takes pages and pages of exposition and makes it all seem incredibly normal.
Oh, there are two more schools of magic? Of course there are! There’s an ancient Triwizard Tournament that pits school-aged children against each other in a potentially fatal inter-school competition? Sure! The most evil person in the world is threatening to return again? Brilliant! It has everything you want in a Harry Potter film AND it gives the leading men shag haircuts. What’s not to love?
— Steph Panecasio
The Ending Of Harry Potter And The Prisoner Of Azkaban Explained
Harry Potter and the Prisoner of Azkaban changed the game for Harry Potter fans. Not only was it the first movie not directed by Christopher Columbus, but the story in both book and film form introduced characters and mythology that would impact Harry’s battle with Voldemort all the way through to the final installment. It’s also very complicated, with Time-Turners, scenes from multiple perspectives, and big reveals that have fans frequently shifting their allegiances.
Prisoner of Azkaban seems to follow a few different plot threads: Sirius Black has escaped the wizard prison Azkaban, and everyone assumes he’s out to kill Harry. Hogwarts also has a new Defense Against the Dark Arts teacher, Professor Lupin, and he is super weird about the moon. Hagrid’s hippogriff, Buckbeak, is about to be executed for scratching Malfoy. Ron’s pet rat Scabbers is missing, presumed eaten by Hermione’s cat Crookshanks. And there’s a big dog out there that may portend death. All these threads seem independent, but they converge at the Shrieking Shack, delivering an ending to Harry Potter and the Prisoner of Azkaban that provides deep commentary on the series’ themes.
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Is It Any Good
Harry Potter is 13 in this third movie based on the globally popular book series, and the movie itself seems to be entering adolescence, with its darker themes, darker images, and darker emotions. The first two movies were competently directed by Chris Columbus, with brilliant production design and meticulous attention to detail, making sure that the books’ passionate fans were happy — but playing it safe.
For Harry Potter and the Prisoner of Azkaban, Columbus stayed on as a producer, but there is a new director, Alfonso Cuaron, whose previous work has demonstrated ferocious visual flair and great sensitivity in working with and portraying children and teens . He has kept the best of the first Potter films and enriched it with his own splendid vision, meshing perfectly with the tone of the story and the increasing complexity of the themes and characters. The third in the series is darker than the first two, but it possesses the same magical qualities that Potter fans will love.
Flight Of The Fat Lady
- While the book has Peeves describe Sirius Black’s attack on the Fat Lady’s portrait after learning about this from her when he saw her in a portrait on the fourth floor, in the film it was the Fat Lady herself that described the attack from a nearby portrait.
- In the book, while Harry cannot go to Hogsmeade and stays with Lupin, they spend their time in his office and Harry sees a Grindylow which Lupin was taking delivery of for their next lesson, while in the film, they are talking on the Wooden Bridge after apparently meeting there. This difference creates a continuity error in the seventh film when Lupin interrogates Harry after the Battle of the Seven Potters holding his wand to Harry’s face and asking him ‘what creature sat in the corner the first time Harry Potter visited my office in Hogwarts.’ A deleted scene is assumed to show this, before the two of them went for a walk on the Wooden Bridge.
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Why Did Harry Potter Change Directors Throughout The Series
While the Harry Potter reunion left many viewers with a warm, fuzzy feeling, it also raised some questions about the franchise.
On New Years Day 2022, Harry Potter fans were treated to a 20th anniversary Return to Hogwarts special. This aired on HBO Max in the US and Sky in the UK. You can also catch it on Amazon Prime.
Stars of the show such as Daniel Radcliffe, Emma Watson, and Rupert Grint returned to discuss their favourite memories and growing up in the spotlight. But also featured in the reunion were the number of directors who worked on the Harry Potter films. So, why were there so many directors? Weve done some digging to find out why the franchise was led by four different directors over the years.
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David Thewlis Didn’t Play It Straight As Lupin In Harry Potter
There’s some subtextual stuff going on beneath the surface of the Shrieking Shack scene at the end of Harry Potter and the Prisoner of Azkaban. Director Alfonso Cuarón told David Thewlis, who played Lupin, that his character was gay. “Alfonso Cuarón, in the rehearsals, without J.K. Rowling’s knowledge, told me that was, in fact, gay,” Thewlis said, per Entertainment Weekly. “So I’d been playing a part like a gay man for quite a long time. Until it turned out that I indeed got married to Tonks. I changed my whole performance after that. Just saw it as a phase he went through.” Many fans picked up on the vibes, noting that Lupin and Sirius’ reunion scene in the film seemed more like boyfriends reuniting, not best friends.
The maybe-boyfriends’ touching reunion is short-lived, however, as Snape comes to the Shack with the intention of apprehending Sirius. After knocking Snape out, Harry convinces Sirius and Lupin to turn Peter over to the dementors rather than killing him outright. Unfortunately for them, it’s a full moon. Lupin changes, Peter stuns Ron and escapes, and Sirius transforms into Padfoot in order to defend the kids from Moony. Harry and Sirius are swarmed by dementors, but they’re saved by a spectral stag. Harry is convinced that the stag is his father.
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Daniel Van Boom
Daniel Van Boom is a Senior Writer based in Sydney, Australia. Daniel Van Boom covers global tech issues, culture, video games and much more. Daniel Van Boom loves speaking about himself in the third person.
Movie and TV Senior Editor
Richard Trenholm is CNET’s film and TV editor, covering the big screen, small screen and streaming. A member of the Film Critic’s Circle, he’s covered technology and culture over the past 15 years from London’s tech scene to Europe’s refugee camps to the Sundance film festival.
Steph Panecasio is an Editor based in Sydney, Australia who knows a lot about the intersection of death, technology and culture. She’s a fantasy geek who covers science, digital trends, video games, subcultures and more. Outside work, you’ll most likely find her rewatching Lord of the Rings or listening to D& D podcasts.
It’s been over 20 years since the very first Harry Potter movie hit cinemas, launching one of the biggest screen franchises in history. It’s been up and down since then. There’s been some classics and some clunkers.So, without further ado, here’s our ranking of all 10 Harry Potter movies, including the prequel flicks featuring adorkable Hufflepuff and famed magizoologist Newt Scamander.
Differences From Earlier Films In The Series
One possible explanation could be that Hagrid was promoted to new bigger living quarters closer to the castle after getting the Care of Magical Creatures job, enabling him to perform both his teaching and grounds-keeping duties easily. It would also give students a safer place to take lessons, away from the forest.
- The location of the portrait of the Fat Lady, the entrance to the Gryffindor Common Room, has been moved to the Grand Staircase. The appearance of the Fat Lady has also changed, with a different actress, background, and ball gown from the first film: In the first film, the Fat Lady is played by Elizabeth Spriggs. She is shown with black hair and a pink silk dress and she doesn’t seem to have much personality. Oddly, this version of her is not particularly fat. Her portrait is located at the end of a corridor somewhere in the castle, but its location is never specified. The Fat Lady as portrayed by Spriggs moves only when approached by a student and very little at that. She also asks for the password, ensuring more effective concealment of the common room. In the first film, given the Fat Lady’s dress and background, she seems to have lived in the sixteenth century Europe. The Spriggs version of the Fat Lady’s portrait is also used in the video game adaptations of Philosopher’s Stone and Chamber of Secrets.
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