Best Loser: Crouching Tiger Hidden Dragon
Assuming the Academy sought to reward an action film with lyrical elements as 2000s Best Picture, they had two easy choices: Ridley Scotts Gladiator and Ang Lees Crouching Tiger, Hidden Dragon. They went with the one that emphasized the action over the lyricism, however. Combat is a form a communication in Lees modern riff on the wuxia films of his youth, using stunning fight scenes to tell a story of doomed love starring Chow Yun-fat and Michelle Yeoh.
List Of Awards And Nominations Received By John Williams
This is a list of awards and nominations received by the American composer John Williams.
John Williams has been nominated for 52 Academy Awards, winning 5 6 Emmy Awards, winning 3 25 Golden Globe Awards, winning 4 72 Grammy Awards, winning 25 16 British Academy Film Awards, winning 7 22 Saturn Awards, winning 8. With 52 Oscar nominations, Williams currently holds the record for the most Oscar nominations for a living person, and is the second most nominated person in Academy Awards history behind Walt Disney with 59, as well as the only person in the history of the Academy Awards to have received nominations in seven consecutive decades. Forty-seven of Williams’s Oscar nominations are for Best Original Score and five are for Best Original Song. He won four Oscars for Best Original Score and one for Best Scoring: Adaptation and Original Song Score ” rel=”nofollow”> Fiddler on the Roof).
In 1980 Williams received an Honorary Doctorate of Music from Berklee College of Music.
Since 1988, Williams has been honored with 15 Sammy Film Music Awards, the longest-running awards for film music recordings.
Williams was honored with the annual Richard Kirk award at the 1999 BMI Film and TV Awards, recognizing his contribution to film and television music. In 2004 he received Kennedy Center Honors. He won a Classic Brit Award in 2005 for his soundtrack work of the previous year.
Best Loser: Bonnie And Clyde
Containing everything from talking animals to amoral criminals, the nominees for 1967 double as a cross-section of what was going on in Hollywood at the time, so much so that Mark Harris used it as the subject for his excellent book Pictures at a Revolution. Filtering a story of prejudice through a tense thriller set in the Deep South, In the Heat of the Night took the top prize. Elsewhere, both The Graduate and Bonnie and Clyde captured a Hollywood filled with fresh ideas, the product of an emerging generation of new filmmakers and the influence of the French New Wave. Of the two, Bonnie and Clyde is the more radical, and its violent antiheroes Warren Beatty and Faye Dunaway playing a pair of notorious Depression-era outlaws made it the more controversial, so lets make it our alternate choice and let it serve as a stand-in for the seismic changes going on around it.
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Best Loser: A Room With A View
From the 60s through the aughts, producer Ismail Merchant, director James Ivory, and screenwriter Ruth Prawer Jhabvala made immaculately sculpted films for art-house audiences, often literary adaptations capturing a way of life now lost to time. Their commercial and critical success found a high-water mark in the 80s and early 90s, beginning with this spirited E.M. Forster adaptation starring Helena Bonham Carter, Daniel Day Lewis, Judi Dench, and Maggie Smith. A Room With a View offers stunning Florentine cityscapes, gorgeous costumes, and peerlessly rendered depictions of yearning and repression essentially everything a Forster adaptation needs and with a cast its impossible to imagine improving upon. The team became a kind of lazy shorthand for tastefully unadventurous filmmaking, and unfairly so. Their best films burst with intelligence and passion.
Did Eddie Redmayne Auditioned For Harry Potter
Eddie Redmayne plays Newt in Fantastic Beasts, but he first auditioned for the character who becomes the Harry Potter franchises biggest villain. Eddie Redmayne is the face of Newt Scamander in the Fantastic Beasts film series, but the actor had a shot at playing another major character in the Harry Potter universe.
Harry Potter Franchise Earned $2 Billion
The Harry Potter movies inspired by J.K. Rowlings book series transported audiences to the wizarding world. When the first installment in the franchise hit theaters in 2001, fans loved seeing some of their favorite literary characters come to life on the big screen.
Over the course of eight films that spanned a decade, people followed Harry Potter and his best friends, Hermione Granger and Ron Weasley , on their journey at Hogwarts. When they werent getting up to trouble at the castle the trio were battling the evil Lord Voldemort.
By the time the last film debuted in 2011, the Harry Potter movies had raked in a whopping $2.39 billion at box offices worldwide. Not to mention the films had made everything in the wizarding world a cultural phenomenon. Today, there are Harry Potter theme parks and the popularity continues to increase as new generations discover the books and movies.
Ireland Baldwin Calls Out Hateful Candace Owens Over Movie Shooting
And then at No. 1 there’s Harry Potter: 12 nominations, zero wins.
Early on, it seemed as if the franchise might have better luck at the 2012 Oscars. And even after Deathly Hallows Part 2‘s Best Picture buzz fizzled, and talk of an Alan Rickman Best Supporting Actor nod died, the series picked up as many nominations as it ever had.
Deathly Hallows Part 2‘s best chance for a game-changing win arguably was in Art Direction, a category where the film had had success at the guild-awards level. But in the end it was swept aside in Hugo‘s sweep of the tech awards, losing there and also in Visual Effects. It likewise went down to defeat in Best Makeup, losing to The Iron Lady.
Elswhere, Billy Crystal and the telecast made only passing reference to the film, the past year’s biggest box-office hit. No stars from the series served as presenters.
And now, as far as the Oscars are concerned, it really all does end here for Potter.
Unless, that is, one of author J.K. Rowling‘s planned adult novels casts her signature hero in something more relevant to Oscar voters.
Like, a black-and-white silent movie.
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Has Jk Rowling Won A Oscar
Has JK Rowling won an Oscar? J.K. Rowlings Wizarding World finally won an Oscar. Fourteen nominations later, J.K. Rowlings Wizarding World encapsulating Harry Potter and Fantastic Beasts has won an Oscar. In a surprise to many, Fantastic Beasts won Best Costume Design at the 2017 Academy Awards on Sunday night.
Best Loser: 12 Angry Men
The film industry saw television as a threat from the moment it was introduced, and spent much of the 50s trying to create new ways to compete with the new medium on the block, from wide-screen movies to 3-D. But TV and film found that their coexistence could be mutually beneficial, with television sometimes serving as a proving ground for film material and a new generation of film directors honing their skills on the small screen, where they learned to work fast and make the most of a few sets and limited budgets. 12 Angry Men benefited from both those trends, adapting a previously produced teleplay and serving as the feature-film debut of Sidney Lumet, whod worked extensively in television. Lumet and a remarkable cast headed by Henry Fonda create high drama as jurors arguing a case that all but Fondas character sees as open-and-shut leading him to dig in in an attempt to make everyone else see it his way.
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Top Tony Moments 2018
- Robert De Niro dropped the F-bomb in reference to President Trump – and got a standing ovation lasting over a minute
- Andrew Garfield made a powerful speech which he dedicated to the LGBTQ community as he accepted his award. He ended his speech with a reference to the recent Supreme Court ruling, which found that a Colorado bakery was legally permitted to deny service to a gay couple who tried to order a wedding cake for their same-sex wedding. “We are all sacred, and we all belong,” said Garfield. “So let’s just bake a cake for everyone who wants a cake to be baked.” Cue loud applause.
- There wasn’t a dry eye in the house when students from Marjory Stoneman Douglas High school in Parkland, Florida, took to the stage to perform Seasons of Love from the musical Rent. A gunman killed 17 students at the school in February.
- Glenda Jackson was rewarded for her return to Broadway after a three-decade gap. And one boy sitting behind the British actress was obviously delighted.
- Sparky the goat, one of the stars of musical Once on this Island, was on the red carpet – and inside Radio City Music Hall. But Nathan Lane was not amused.
Nathan Lane, you’re the G.O.A.T. ðð
De Niro then introduced Bruce Springsteen, who performed and was presented with a special award.
Best Loser: The Elephant Man
As with the year How Green Was My Valley beat Citizen Kane, Scorseses searing Raging Bull loss to Robert Redfords Ordinary People has become an easy example of how the Oscars often get it wrong. Thats not really fair to Ordinary People, which is a pretty terrific in its own right. But because another Scorsese film got one of our spots above , lets give this one to The Elephant Man, David Lynchs retelling of the friendship between John Merrick , a deformed man exhibit in a Victorian freak show, and Frederick Teaves , a doctor who takes him into his care and helps restore his sense of dignity. A moving costume drama thats also very much a David Lynch film, it mixes striking black-and-white photography with a compassion for outsiders of all kinds.
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Harry Potter And The Philosopher’s Stone
- Nestlé Smarties Book Prize 1997 Gold Medal 911 years
- FCBG Childrens Book Award 1997 Overall winner in Longer Novel Category
- Birmingham Cable Childrens Book Award 1997
- Young Telegraph Paperback of the Year 1998
- Carnegie Medal 1998
- British Book Awards 1997 Childrens Book of the Year
- Sheffield Childrens Book Award 1998
- Whitakers Platinum Book Award 2001
- Voted nations favourite childrens book in Reading charity Booktrusts 100 best books for children vote
Why Harry Potter Failed At The Oscars
Critically and commercially beloved, Harry Potter’s failure to win the big ones is a bit of an oddity.
hen you think about the movies that define generations, a few specific ones usually pop into mind. In the thirties, people flocked to see Technicolor extravaganzas like Wizard of Oz and Gone With the Wind, turning them into box office smashes . For baby boomers and Gen X, Star Wars showed them the possibilities that cinema had to offer. Millions of millennials grew up with Harry Potter, flocking to see it in droves and turning it into the third-highest grossing film franchise in history. You would assume that films as successful and groundbreaking as these would have heaps of awards to go with their piles of money, and in most cases you would be right, with one notable exception.
While massively successful commercially, the Harry Potter movies never managed to translate their box office magic into awards gold. In total, the films received 12 Oscar nominations entirely in below-the-line categories and won zero awards. Chamber of Secrets and Order of the Phoenix didnt even manage a single nomination. So far, the only Wizarding World film to win an Oscar is 2016s Fantastic Beasts, for Colleen Atwoods exceptional costume design .
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Harry Potter Finally Wins An Oscar By Going Back In Time
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During the Academy Awards ceremony, famed Hollywood costume designer Colleen Atwood got a surprise. It wasnt that shed won an Oscarshed done that before, three timesit was that she got one for the Boy Who Lived. Throughout eight movies and despite 12 nominations, the Harry Potter films were always the Susan Lucci of the Oscars. Then, last night, Fantastic Beasts and Where to Find Them won, and Atwood was shocked.
It was surprising, she noted backstage, because the Potter movies have always had a fairly strong stylehow could they not have picked up some technical achievement hardware? It was probably because, Atwood continued, this movie is set in the 1920s, which kind of keys a different visual sense.
The only thing that was able to set the Potter movies, once considered the most-snubbed franchise of all time, was moving the series back a few decades, to a time that needed fancier clothes than Harrys robes and jackets.
Shes right. In previous years, a great majority of costume design Oscars have gone to period pieces . Even two of Atwoods three previous winsMemoirs of a Geisha and Chicagowere historical in nature. If you want to win a costume design Oscar, you gotta go old-school and because Beasts is a prequel, it could do things and go places the Potter gang couldnt.
Best Loser: The Sixth Sense
1999 was a wild year at the movies, yielding one singular film after another, from Three Kings to Fight Club to Magnolia to Being John Malkovich to The Blair Witch Project to The Matrix. Some of these confirmed emerging directors like Spike Jonze and David O. Russell as major talents. Others, like The Matrix, broke new ground with stunning special effects. The years Best Picture nominees, however, barely reflected any of this. American Beauty wasnt exactly a safe choice for the winner, but it was hardly the most inventive offering of the year. Nor were The Cider House Rules or The Green Mile, or even The Insider, a fantastic Michael Mann movie, but one from an established director challenging himself to bring the same sort of tension to a docudrama that he had previously brought to crime films. Of the nominees, The Sixth Sense provided the best indication of what was happening elsewhere in the film world. A seemingly out-of-nowhere supernatural drama crafted with discipline by M. Night Shyamalan, a filmmaker most moviegoers had never heard of, it became a cultural phenomenon by taking viewers by surprise but the twist never would have worked without the patience Shyamalan invested in the filmmaking or the careful performances by Bruce Willis and Haley Joel Osment.
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Best Loser: The Big House
The prison drama The Big House performs a similar sleight of hand, setting up a new prisoner sent up on a manslaughter charge after a drunk-driving incident as the hero, but focusing instead on a pair of hardened criminals who turn out to be not as irredeemable as they first appear. A highly influential film that set the pattern for prison movies to come, its a gripping piece of filmmaking, filled with images of how prisons dehumanize those within its bars, that builds to a violent climax that still looks pretty shocking.
Winner: Green Bookbest Loser: Roma
Sometimes you just know a Best Picture winner is going to turn into a Wait, what? As in: Wait, what? Dances with Wolves beat Goodfellas? And so forth. Sometimes it just takes seconds for that feeling to kick in. With Green Book, that feeling kicked in almost immediately. Wait, what? Green Book beat BlacKkKlansman / Black Panther / A Star is Born / The Favourite? And, more than anything, it applies to Alfonso Cuaróns deeply personal tribute to not just the times and place that made him but also the live-in maid who helped raise him . Its a journey through the past not through Cuaróns eyes but through hers, a one-of-a-kind movie shot in gorgeous black and white that acknowledges the pasts hold on the present and refuses to confine whats come before nostalgia and misty memories. And its that quality that sets it apart Green Book, too, a film too content to think of the past and its divisions as settled business rather than part of an ongoing story. Roma movingly acknowledged that the act of remembering can be as painful as it is revelatory.
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The Godfather Part Ii
1975: Nino Rota was originally nominated for the Original Dramatic Score Oscar for the first Godfather movie in 1972, until it emerged that Rota had used portions of another earlier score. So he made double sure when the second film came around, heading off Jerry Goldsmith’s score for Chinatown and John Williams’ music for The Towering Inferno.
Best Loser: Born On The Fourth Of July
Oliver Stone would discover there was no cinematic flourish or excessive gesture he didnt like in the 1990s, but with Born on the Fourth of July, he made one of the best films of 1989, a late entry in a cycle of 80s movies reckoning with the legacy of the Vietnam War. Its territory hed previously explored with the semi-autobiographical Platoon, but here he uses the experiences of Ron Kovic, a Marine turned antiwar activist who became one of the most prominent voices for veterans after returning home and adjusting to life as a paraplegic. Tom Cruise plays Kovic memorably in a performance that tears down all his movie-star charm, requiring him to be vulnerable onscreen in a way hed never been before and has rarely been since.
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